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Grossman V. Life And Fate

Suppressed by the KGB, Life and Fate is a rich and vivid account of what the Second World War meant to the Soviet Union. . .On its completion in 1960, Life and Fate was suppressed by the KGB. Twenty years later, the novel was smuggled out of the Soviet Union on microfilm. At the centre of this epic novel looms the battle of Stalingrad. Within a world torn apart by ideological tyranny and war, Grossman’s characters must work out their destinies. Chief among these are the members of the Shaposhnikov family – Lyudmila, a mother destroyed by grief for her dead son; Viktor, her scientist-husband who falls victim to anti-semitism; and Yevgenia, forced to choose between her love for the courageous tank-commander Novikov and her duty to her former husband. Life and Fate is one of the great Russian novels of the 20th century, and the richest and most vivid account there is of what the Second World War meant to the Soviet Union.

Grossman V. Life And Fate

Suppressed by the KGB, Life and Fate is a rich and vivid account of what the Second World War meant to the Soviet Union. . .On its completion in 1960, Life and Fate was suppressed by the KGB. Twenty years later, the novel was smuggled out of the Soviet Union on microfilm. At the centre of this epic novel looms the battle of Stalingrad. Within a world torn apart by ideological tyranny and war, Grossman’s characters must work out their destinies. Chief among these are the members of the Shaposhnikov family – Lyudmila, a mother destroyed by grief for her dead son; Viktor, her scientist-husband who falls victim to anti-semitism; and Yevgenia, forced to choose between her love for the courageous tank-commander Novikov and her duty to her former husband. Life and Fate is one of the great Russian novels of the 20th century, and the richest and most vivid account there is of what the Second World War meant to the Soviet Union.

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Furst Alan Blood of Victory

November, 1940. I.A Serebin, a writer from Odessa and former decorated Hero of the Soviet Union, is on his way to Istanbul following a cryptic letter from a former lover. Ostensibly there on official business for the International Russian Union, an emigre organisation based in Paris, he is drawn into a clandestine world of international spies and political players. With war in Europe drawing nearer, Serebin is recruited by the British secret services - his mission to stop the export of Romanian oil to Germany. In a race against time, Serebin's journey will take him from the glittering salons of Paris to the back alleys of Bucharest and the Black Sea ports, in a covert operation to staunch the flow of oil, the precious 'blood of victory'.

Fatland Erika Sovietistan. A Journey Through Turkmenistan, Kazakhstan, Tajikistan, Kyrgyzstan and Uzbekistan

An unforgettable journey through the former Soviet Republics, by a prizewinning author of international reportage Erika Fatland takes the reader on a journey that is unknown to even the most seasoned globetrotter. The five former Soviet Republics' Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan all became independent when the Soviet Union fell apart in 1991. How have these countries developed since then? In the Kyrgyzstani villages Erika Fatland meets victims of the widely known tradition of bride snatching; she visits the huge and desolate Polygon in Kazakhstan where the Soviet Union tested explosions of nuclear bombs; she meets Chinese shrimp gatherers on the banks of the dried out Aral Sea and she witnesses the fall of a dictator. She travels incognito through Turkmenistan, a country that is closed to journalists. She meets exhausted human rights activists in Kazakhstan, survivors from the massacre in Osh in 2010, German Menonites that found paradise on the Kyrgyzstani plains 200 years ago. During her travels, she observes how ancient customs clash with gas production and she witnesses the underlying conflicts between ethnic Russians and the majority in a country that is slowly building its future in Nationalist colours. In these countries, that used to be the furthest border of the Soviet Union, life follows another pace of time. Amidst the treasures of Samarkand and the bleakness of Soviet architecture, Erika Fatland moves with her openness towards the people and the landscapes around her. A rare and unforgettable travelogue.

Sankova Alexandra Soviet Space Graphics. Cosmic Visions from the USSR

A wonderful, whimsical journey through the pioneering space-race graphics of the former Soviet Union This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Created against a backdrop of geopolitical uncertainty, the extraordinary images featured, taken from the period's hugely successful popular-science magazines, were a vital tool for the promotion of state ideology. Presenting more than 250 illustrations - depicting daring discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - Soviet Space Graphics unlocks the door to the creative inner workings of the USSR.

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Starikov N, 1917. Key to the Russian Revolution

It wasn’t by chance that the Russian Empire collapsed in 1917, and nor was it the case with the Soviet Union. In both cases a powerful external force initiated Russia’s falling apart using villains and fools, who completely destroyed their own country for

Starikov N, 1917. Key to the Russian Revolution

It wasn’t by chance that the Russian Empire collapsed in 1917, and nor was it the case with the Soviet Union. In both cases a powerful external force initiated Russia’s falling apart using villains and fools, who completely destroyed their own country for

Krasnyanskaya Kristina, Semenov Alexander Soviet Design. From Constructivism To Modernism. 1920-1980

The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. For the first time ever, this book offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire. Soviet design is often discredited as massive, non-ergonomic and monotonous. Yet a remarkable variety of original styles have emerged behind the iron curtain. The 1920s were marked by bold exploration and experiments at Vkhutemas and by constructivism, rationalism, and suprematism. Early in Stalin's reign constructivism was heavily criticised and post-constructivism and Soviet neo-classicism appeared alongside what became known as 'agitational furniture', inspired by the regime's propaganda. The 1930s brought Soviet Art Deco and eventually Stalinist Empire, which has produced some of the Soviet Union's most iconic buildings. In the late 1950s, after Stalin's death, the last Soviet 'big style' originated modernist and functionalist furniture, mass-produced to fit the small apartments in the Khrushchyovka multi-unit housing developments that were built in cities on a large scale. The 1960s mark the Golden Age of Soviet interior design, showing again influences by the early Soviet Avant-Garde and the Bauhaus, while most of the visionary work of a new generation of designers in the 1970s and 1980s remained unrealised.

Timoshkina Alissa Salt & Time. Recipes from a Russian kitchen

Salt & Time will transform perceptions of the food of the former Soviet Union, and especially Siberia - the crossroads of Eastern European and Central Asian cuisine - with 100 inviting recipes adapted for modern tastes and Western kitchens, and evocative storytelling to explain and entice. Why not try the restorative Solyanka fish soup (a famous Russian hangover cure), savour the fragrant Chicken with prunes or treat yourself to some Napoleon cake. 'Often we need distance and time, both to see things better and to feel closer to them. This is certainly true of the food of my home country, Russia - or Siberia, to be exact. When I think of Siberia, I hear the sound of fresh snow crunching beneath my feet. Today, whenever I crush sea salt flakes between my fingers as I cook, I think of that sound. In this book I feature recipes that are authentic to Siberia, classic Russian flavour combinations and my modern interpretations. You will find dishes from the pre-revolutionary era and the Soviet days, as well as contemporary approaches - revealing a cuisine that is vibrant, nourishing, exciting and above all relevant no matter the time or the place.' - Alissa Timoshkina.

Benn Anna, Savintsev Fyodor Dacha. The Soviet Country Cottage

A ‘dacha’ is a country cottage, made of wood, used by Soviet citizens to escape the rigors of the city for rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In Dacha, Fyodor Savintsev documents this particularly Russian phenomenon, his photographs constitute a unique record of a rapidly vanishing fairytale wooden world. The word ‘dacha’ has been used to describe constructions ranging from grand imperial villas to small sheds. Originally bestowed by the Tsar to reward courtiers, this custom continued following the revolution, with Soviet cooperatives building dachas for their members. Supposedly for the benefit of labourers, in reality they were destined for those favoured by the State, including famous writers, architects and artists – from Pasternak to Prokofiev. The fall of the Soviet Union accelerated their use, as economic uncertainty forced city dwellers towards self-sufficiency. The dacha tradition has survived Revolution, war and the collapse of Communism, becoming an integral part of life in the process. With an introductory essay, illustrated with archive images by Anna Benn.

Senchin Roman Minus

"Minus depicts post-Soviet Siberians as people with dormant inner power languishing in the cage of their circumstances. The narrator, a young man named Roman, and his friends are the losers in the new Russian society. Their life is shown with painful veracity." - Die Welt

Marshak Samuil, Lebedev Vladimir The Circus and Other Stories

These four books, published in the Soviet Union between 1925 and 1927, were a collaboration between poet Samuil Marshak (1887-1964) and painter Vladimir Lebedev (1891 - 1967). Based on the idea that a children's book is an important cultural object in its own right, they linked painting, poetry and typography and created the timeless precursor to the modern children's picture book. In four brand new translations, The Circus and Other Stories includes four of Marshak's tales: 'The Circus', 'Ice Cream', 'Yesterday and Today' and 'How the Plane Made a Plane', all illustrated by Lebedev.

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